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By Jack Sargeant

Celebrating the celluloid expression of the Beat spirit—arguably the main sustained legacy in U.S. counterculture—Naked Lens is a complete research of the main major interfaces among the Beat writers, Beat tradition, and cinema. bare Lens positive aspects key Beat avid gamers and their collaborators, together with William Burroughs, Allen Ginsberg, Jack Kerouac, Charles Bukowski, Brion Gysin, Antony Balch, Ron Rice, John Cassavetes, Andy Warhol, Bob Dylan, Klaus Maeck, and Gus van Sant.As good as analyzing sincerely Beat-inspired movies comparable to Pull My Daisy, Chappaqua, and The Flower Thief, Jack Sargeant discusses cinéma vérité and function motion pictures (Shadows and fully Communion), B-movies (The Subterraneans and Roger Corman’s Bucket of Blood), and Hollywood diversifications (Heart Beat and Barfly).The moment half the ebook is dedicated to an intensive research of the flicks in relation to William Burroughs, from Antony Balch’s Towers Open hearth to David Cronenberg’s bare Lunch. This booklet additionally includes the final ever interview with author Allen Ginsberg, recorded 3 months sooner than his loss of life in April 1997.

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The war ended while I was in boot camp. It was fortunate that I happened to have enlisted in the Coast Guard, which during World War II was part of the Navy. So when the war ended all of a sudden the Coast Guard had these swollen ranks so they said, if you don’t want to be a regular in the Coast Guard we’re going to give you an early discharge. So I was discharged after being in the service for nine months and sixteen days, that gave me one year, nine months and sixteen days of Veteran’s benefits.

I was very, very optimistic. So what happened, I wrote a screenplay of the Isaac Babel story. And at that time both I and Robert knew Zero 32 Pull My Daisy Directions: A Walk After The War Games Mostel36 and I had always loved Zero’s work and I thought “gee, it would really be fantastic to be able make a film of Zero”. So Mary, or Robert, had remembered an article in the French newspapers about a guy who was living with a mannequin, now this was a story that was a familiar story, John Collier was a writer [who] had written a story, a sort of surrealist story, about a man living with a doll, that is how I think we got to be talking about this thing.

You know the story? So he was reading and in the background was Symphony Sid. Now I had heard Jack read before, he was a phenomenal reader, he had the sweetest delivery … he had a sweetness that none of the other poets had. I mean sweetness is, I think, the right word, a kind of genuineness. A kind of longing, I think that everything he did, a kind of humanity that was really extraordinary and he was great, a great voice ,a great delivery, nuance of speech. Nobody, I mean nobody, can deliver language like poets.

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