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By Jessie Horsting

Designated version journal that includes the flicks made up of STEPHEN KING NOVELS as much as 1986. contains television videos, statement by means of STEPHEN KING, AND INTERVIEWS WITH administrators OF STEPHEN KING movies.

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This family was allowing themselves to believe fears that were intangible and, in the process, making them real in their imaginations. To me," Teague insists, " Cujo's materialization is a manifestation of their internal fears, the monsters that exist inside themselves. That was what appealed to me about the story-it's a favorite theme of mine. " Rounding out the cast is young Danny Pintauro in his first feature role, although a veteran of 35 commercials and daytime television . Pintauro won the role in auditions over more than 200 other young actors, and was incredibly convincing.

I mean, St. " Peter Knowlton was the effects artist in charge, and Teague described what was involved: "Along with five St. Bernards, we had several mechanical heads, something I had to do on Alligator as well. Each head performed a specific action . Then, we had a Labrador in a St. Bernard suit-we even had a man in a St. Bernard suit when it had to look like the dog was r - - - - - - - - - - - - - - - - - - - - - - - - . ramming the car and pulling off door handles. I tried to ~~MONSTERS, STAY OUT of Tltis ROOM!

His alliance with Dino De Laurentiis was a case of strange bedfellows. De Laurentiis has a reputation for controlling his produdions with an iron fist: Cronenberg has a reputation as a bit of a maverick-not that he is a difficult man to deal with, but he is a notoriously independent filmmaker. Happily, it didn't turn out to be an irresistible force meeting an immutable objed, though Cronenberg confesses : " I talked to many people who were also worried about that. But Debra Hill is a very strong producer and ran interference for me.

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