Download The Australian Country Girl: History, Image, Experience by Catherine Driscoll PDF

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By Catherine Driscoll

The Australian nation lady: historical past, photograph, adventure bargains an in depth research of the adventure and a dead ringer for Australian kingdom girlhood. In Australia, 'country woman' names a box of stories and life-stories by way of women and girls who've grown up outdoor of the demographically dominant city centres. however it additionally names a suite of principles approximately Australia that's strangely constant around the lengthy 20th century regardless of additionally operating as an index of adjusting instances. For an extended interval in Australian historical past, good earlier than Federation and lengthy after it, public and pop culture brazenly equated 'Australian personality' with rural lifestyles. This photo of Australian-ness occasionally glided by the identify of the 'bush man', now a staple of Australian background. This has been counterbalanced submit international battle II and elevated immigration, via a picture of refined Australian modernity positioned in multicultural towns. those photos of Australia stability instead of contradict each other in lots of methods and the extra cosmopolitan snapshot of Australia is frequently in discussion with that previous snapshot of 'the bush'. This e-book doesn't supply a corrective to the tale of Australian nationwide id yet fairly a clean point of view in this historical past and a brand new specialise in the ever-changing adventure of Australian rural lifestyles. It argues that the rustic lady has not just been a long-standing counterpart to the Australian bush guy she has, extra importantly, figured as some extent of discussion among the rustic and the town for pop culture and for public sphere narratives approximately Australian society and identification.

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Sample text

The television in our living room made me aware of my family’s responses to the dramatic political situation, and that situation brought them to the television in new ways. Television intersected the everyday domesticity of radio and the special immersive event of cinema, and as television scholars like Lynn Spigel have stressed it thus transformed domestic space and impacted public life. Although it seems a strange proposition now, television helped me understand this political crisis as particularly interested in country girls.

Number 96 ran out of controversial steam at the same time and other television images of the country were proliferating in the new local content environment produced by stronger networks of metropolitan and regional stations. Across the 1970s, new negotiations of Australian-ness on film and television had given country girls an iconic role, exemplarily in a range of successful colonial period dramas. In the wake of the successful ABC colonial dramas Seven Little Australians (1973) and Rush (1974, 1976), the Australian TV miniseries was born with another colonial narrative—Against The Wind (Wincer 1978).

One wore an elaborate pale dress and also carried a fan, and it’s that parallel that stuck with me when most of the rest was forgotten. I can’t have been more than four because the cinema stopped trading in 1970. This change didn’t stop the movies being a key point of access to the world for Hometown girls, but my childhood and adolescent movie experience was centred on trips to a much larger cinema in the next town, the new drive-in between Hometown and there, and of course television. This plays so neatly into stories about rural decline that it’s worth noting that my grandmother and mother both went to the movies in that neighbouring town and that the travel was part of what made those movie occasions a special event.

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