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By Koonchung Chan

Banned in China, this arguable and politically charged novel tells the tale of the quest for a whole month erased from authentic chinese language history.

Beijing, someday within the close to destiny: a month has long past lacking from legit files. nobody has any reminiscence of it, and nobody may perhaps care less—except for a small circle of neighbors, who will cease at not anything to unravel the sinister cheerfulness and amnesia that experience possessed the chinese language country. once they kidnap a high-ranking authentic and strength him to bare all, what they learn—not in simple terms approximately their leaders, but in addition approximately their very own people—stuns them to the center. it's a message that may astound the world.

A form of Brave New World reflecting the China of our instances, The fats Years is a posh novel of principles that finds all too chillingly the machinations of the postmodern totalitarian kingdom, and units in sharp aid the significance of remembering the previous to guard the long run.

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Extra resources for The Fat Years: A Novel

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Pelliot's " Touen-houang," Paris, 1920. And so we come to China itself. Though some writers have presumed that Buddhism in this long journey northward and eastward created art as it went, and found in China but rudimentary beginnings which its inspiration at once transformed, it seems certain, on the contrary, that Chinese art was fully developed before Buddhism brought its new Indeed, the importstore of motive and imagery. fifth ance of Buddhism as a creative factor in the art of China can be easily exaggerated.

20 THE ART OF EAST AND WEST one thing we can learn from the study of Oriental painting. We can learn to distrust this tendency, absorbed from an age of triumphant Here is up an science, to set external objective standard, asking of a picture whether it correctly represents what been used, and whether it is a real experience to our souls. Our art, like our civilisation, too often defeats its own end in the objects it portrays, instead of asking to service the materials have ; the thirst for reality it falls into indiscriminate acceptance, and loses or obscures essentials.

There are several splendid T'ang art of China, hitherto and a the most fragmentary way specimens of the known only in number of the art, After Sir Aurel Stein, same rock-temple of Tunhuang and brought away the manuscripts and paintings left by his predecessor, and these are now in Paris. Besides the mass of paintings on silk which Pelliot visited the been removed, there are frescoes in the rock-temples which can be dated as early as the have 36 ART TRADITIONS IN ASIA and sixth centuries. These are reproduced in M.

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