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Extra resources for The Problem of the Process of Transmission in the Pentateuch (JSOT Supplement)

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24 contains no direct divine address, nor does the Joseph story, which is an example of a very advanced stage of narrative art. There is therefore a basic difference between the development of the narrative on the one hand, where the direct divine address yields more and more in favour of an indirect divine action—Gen. —and on the other, the development of the increasing use of the divine promise address as an element of reworking. 56 The Process of Transmission in the Pentateuch which can be formulated in a variety of ways and whose relationship to each other is difficult to determine.

P. 32. 2. The Patriarchal Stories 57 in E, in the addition in ch. 22'. * It is obviously a question of a relatively late stage, that is, a stage which in the process of tradition is to be subordinated to the appearance of individual promise elements, without thereby making any pronouncement about its absolute age. 2 It is this task that we now undertake. The situation is obviously very complicated. And so we must try to make it more perspicuous by a careful analysis of the individual promise elements.

Interpreters try now to work out the intention of the composition and the means used to give it its shape. Neither, of course, is immediately obvious so that very different answers are given. 4 So then, on the one hand there would be formcritical consequences to be drawn with regard to the determination of the different characteristics of the 'Sage'] while on the other hand the question arises, when and at what stage of the formation of the tradition these very different complexes were joined together, and to what extent a common, over-arching, reworking can be discerned.

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