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By Wei Zhou

《亚洲古兵器图说》是一部系统研究亚洲各国古兵器发展史的著作,全书共介绍日本、印度、越南、马来亚、伊朗等16个亚洲古国的兵器数千件,解说它们的形制、源流和制造,附有两百多幅精美图版与插图。包括两个部分,《亚洲古兵器图说》《亚洲古兵器制造考略》。作者周纬先生是古代兵器研究之先驱,自幼对兵器研究感兴趣,后留学法国,足迹遍及三大洲数十国搜访资料,因此书中所介绍的兵器资料大多极为珍贵、稀见。经过二十年收集资料后,作者又花十年的时间撰成书稿,系统研究亚洲古代兵器的发展源流、形制演变与制作工艺。《亚洲古兵器图说》是古代物质文化研究领域不可替代的经典之作。

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Money similarly has a tendency to come and go. Land and rank could be counted on to endure for some time; money, by contrast, can be quickly earned or quickly squandered. As these anecdotes attest, when women and money are crossed, the potential for discontinuity is multiplied. THE VIEWS OF SIMA GUANG ON WOMEN AND THE FAMILY Sima Guang had a reputation as a man of austere and upright character, one of the least likely of any of the great men of his age to succumb to the attractions of women. The only stories told about him in which women played a part concerned his indifference to them.

He not only wanted men to avoid these embarrassing circumstances, he also wanted to protect both the daughters of shidafu families who might become victims of the market, and the families themselves, as wives with property could pose threats. He wished to demarcate a sphere into which money would not intrude. 47 He had a well-developed sense of hierarchy. He believed that in all social groups there should be a clear division of tasks and clear lines of authority. Discipline and ritual were the means to create and maintain this hierarchy.

Sima Guang wished to overcome this structural problem by moral education and moral effort: parents-in-law should not be greedy; brides should not be haughty. The basis for a structural solution to this problem was provided by advocates of the revival of zong principles. Cheng Yi had argued for redirecting attention away from the jia to the zong. In the zong women are minor actors. Wives are needed to bear heirs and assist in rites, but the family they came from and the property they bring do not directly effect the zong.

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